Mikayel Abazyan Yerevan, Armenia
Born on July 9, 1971.
Self-trained playing piano, guitar and later - bass, which allowed me playing and making a few
recordings with various bands in Yerevan.
In 2014, joined a special project dedicated to the music of Peter Hammill and Van der Graaf Generator, which brought me back to studio work. Having released yet another successful solo tribute, started producing my own music.
And I like it!
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HB plays JSB on HB3
by Hugh Banton
supported by 10 fans who also own “Royal Agony (monologue)”
Passacaglia is one of the loveliest works of mighty JSB. While I adore HB's playing and his wonderful digital instrument as well, I admit that this record is jaw dropping for me.
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100 Up, vol 1 - Hugh Banton
by Hugh Banton
supported by 9 fans who also own “Royal Agony (monologue)”
Great music. Wonderful playing. Makes one wonder how isolated organ of VDGG classics might sound.
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100 Up, vol 2 - Hugh Banton
by Hugh Banton
supported by 6 fans who also own “Royal Agony (monologue)”
Hi Hugh, just a quick note that I pre-ordered the BIG box; I was lucky to pass this off as a birthday gift to myself ;). I’ve been passing the Burning Shed order page around, but I do not believe it will be necessary as it seems to be selling in droves. Anyhow thanks for all the work you do to preserve these recordings; it surely is a massive undertaking. I hope I get to see the band play live again here in Montreal, but none of us are getting any younger…. Mark
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Boston post-punk outfit Junk Ranchers broke up in 1986 before this, their debut album, was released; darkly melodic, it's a long-lost gem.
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MMishering Light
by Balkan Falcon
Anxious, nervy power-pop with slivers of math rock from Baltimore indie stalwarts.
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Titan Agronomist Project Volume 2 - A Juggernaut that Cannot Be Stopped
by Randy M. Salo
Marauding symphonic metal that pairs stampeding riffs with castle-size organ and tremendous blasts of brass.
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Fate Outsmarts Desire
by Kaprekar's Constant
supported by 5 fans who also own “Royal Agony (monologue)”
They played a wonderful set at Summer’s End in October 2018 which was based around this album . For me it was one of the sets of the weekend. The record is a wonderful permanent reminder of the show.
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